Brittany Ann Tranbaugh & Sadie Gustafson
Doors 6PM / Show 7PM
Seated Show
$12ADV / $15DOS
Brittany Ann Tranbaugh (pronounced TRAN-baw) is a Philadelphia-based songwriter whose queer Americana heartbreaker “Kiss You” won Song of the Year in the 2021 John Lennon Songwriting Contest. Tranbaugh has been writing songs and playing shows as a side gig since she was a teenager, but in February 2023, at 31 years old, she finally quit her office job to pursue a full-time career in music. Her newest release is a self-titled EP produced by Grammy-winner Tyler Chester which showcases Tranbaugh in her new era: energetic, self-assured, surrounded by her beloved musical community, and more commanding as a vocalist and writer than ever before.
Sadie Gustafson-Zook
Every time Sadie Gustafson-Zook (pronounced GUST-of-sin Zook (rhyming with “book”) carves a linoleum block, sews a pencil case out of scraps, or admires the way the ink in her Pilot G-2 glides over her journal, she thinks, “I should be doing this all the time.” The act of creating something tangible is the air Sadie breathes. Her songwriting is the same- weaving an internal dialogue, the stories she tells herself, warm melodies and clever chords into something real, something she can physically feel with her hands and her throat. And chances are that you’ll be able to feel them too. Sadie’s songs have been endorsed by some of the most respected songwriting contests in the country, winning Kerrville Folk Festival’s 2022 New Folk Contest (as well as placing as a finalist in 2020), earning second place at the Rocky Mountain Folk Fest’s Songwriter Showcase, and winning first place at the NewSong + LEAF Songwriting Contest. Sadie has been featured on the Basic Folk podcast and on Folk Alley.
LINE:
An indie pop band unafraid to stretch and play with labels, LINE weaves singer-songwriter sensibilities with multigenre arrangements. Vocalist Maddie Batzli works with bandmates Austin Lynch, Esther Chun, and other collaborators to create songs that include multi-part harmonies, intricate slap basslines, folk instrumentation, and electronic synth tracks. LINE’s songs seek to span a wide range of emotion, often within a single verse, with personal reflection, queer love, and social commentary showing up as common themes. As a queer band, LINE’s willingness to explore paradoxes extends to playful stage aesthetics and lyrics centering philosophical questions, at once campy and achingly sincere. By sharing the vulnerability of holding multiple truths at once, LINE aims to invite listeners to live more deeply into their own experiences. From daring to acknowledge (and contain) multitudes comes much needed space for possibility, rare in a time when pessimism and hope can often feel like a binary.
