Waco Brothers, The Suitcase Junket, Jon Langford and Alice Spencer of the Bright Shiners
Doors 6:30PM / Show 7:30PM
$20ADV / $25DOS
The Waco Brothers got together in Chicago in the mid-90s; battle weary punk musicians who wanted nothing more than to play classic country covers for free beer in their adopted home city. Their residencies at bars like the Wrigleyville Tap and Augenblick became legendary for the sheer volume, speed and energy they brought to this task.
After an early & particularly deranged appearance at SXSW Rolling Stone dubbed the Wacos “Clash meets Cash” and they unleashed a fistful of ferocious albums and endlessly entertaining live gigs that defined the Insurgent Country movement.
The Waco Brothers lost their powerhouse drummer Joe Camarillo to a stroke in January 2021 and it took some time to regroup. They’d often been joined onstage by violinist Jean Cook and drummer Dan Massey (ex-Robbie Fulks) who had deputized for Joe for years, so now the time seemed right to add them both as permanent members.
The current line-up is: Jean Cook – violin & vocals,
Tracey Dear – mandolin & vocals,
Alan Jesus George Jones Mr. Spanky Captain Giggles Sproketts Doughty Vega – bass & vocals,
Jon Langford – guitar & vocals,
Dan Massey – drums,
Dean Schlabowske – guitar & vocals
Matt Lorenz's vision, manifest in The Suitcase Junket, developed in the tension between the grand and the solitary. Grand in its imagery, sound, and staging. Solitary in its thrift and self-reliance. What instruments he requires, Lorenz builds from scratch and salvage. What parts five players would perform, he performs alone. The spectacle of his one-man set bears constant comparison to legends of showmanship, brilliance, madness, and invention.
While audiences are captivated by his solitary form and the show itself, Lorenz, who homesteads with rescue dogs and chickens in rural Western Massachusetts, is most serious about the songs. He has been building a catalog, writing a world into existence. Solitary on stage and on the road, his mind is crowded with characters, narratives, voices, imagery, sounds as wide and varied as mountain throat singers and roadhouse juke boxes, plus newsreels of the planet's destruction and salvage. With this 2020 release, The End is New, Lorenz’s grand vision for the song overrides the how of it.
"The things I value are under attack," Lorenz writes. "And writing songs and making art are the methods I have for responding. I have tried to use my observations and reflections of the world bent through my fun-house-mirror mind to show what I see; a planet stressed. ... We can do better."
Jon Langford and Alice Spencer of the Bright Shiners open.